Forma — Course housewarming the long craft of the

the long craft of the decorative mark

Easter or Mother’s Day for whoever appreciates the less expected choice

The Bestiary is its most abundant expression — a dense compendium of creatures

The design sits between illustration and pattern

The Totem is its most architectural expression — tall

Forma — Course housewarming the long craft of theThe grid held, then didn't. The Forma collection finds its subject in the surfaces that surround us structures, textures, the marks that pressure and time leave on material. The Course begins with a familiar idea: rows of rectangular forms stacked like brickwork. Then it warps. The rows undulate, compress, and pull apart as if the surface itself has shifted. The result is a pattern that feels structural and unstable at once architecture under tension.