OTAKAR OLSANIK/JAN MARTIS Advanced Process 4/25/25 I composed it in an

I composed it in an effort to blend a funky groove

It’s a slow-mo string-drenched soul offering

East Coast hardcore spirit

Death Proof and his most recent Once Upon A Time In Hollywood

The city of Dresden was the composer's home for six years

OTAKAR OLSANIK/JAN MARTIS Advanced Process 4/25/25 I composed it in anHeads have been after Otakar Olank and Jan Martis Advanced Process for a long time. Thats because coincidentally cosmic disco packed with spaced out, smacky synth dynamite tends to become sought after. Originally slipping out on the mighty Coloursound in 1986, the label described the sound as contemporary synthesizer underscores played by computers; depicting future technologies in todays process. If theyd just added acid drenched, theyd have been