Haim - Women In Music Pt. III Artist_Jessie Ware Ms Obel makes even makes

Ms Obel makes even makes the electronic tracks bow to her needs as with Yello whose ‘Great Mission’ is more Martin Denny than Underworld and cult Greek composer Lena Platonos’ ‘Bloody Shadows From A Distance’ pulses gently rather than throbs and Can’s recently rediscovered ‘Obscura Primavera’

and few celebrated him for his tender genius until after his untimely death at 40

a futuristic rendition of Sergio Mendes's "Mas Que Nada" -- with bass flute courtesy of veteran Don Ashworth -- and "Pass and I Call You" with Dick Hyman's stunny organ and Vinnie Bell's fuzzy guitar

scored by John Gürtler (Eigenlicht

always willing to try out new ways of working

Haim - Women In Music Pt. III Artist_Jessie Ware Ms Obel makes even makesHaim return with their third album Women In Music Pt. III. The album was produced by the trios frequent collaborators Rostam Batmanglij and Ariel Rechtshaid. Standout tracks include The Steps which pushes guitar to the forefront in a way the band has not done before. Clean, chorused electric guitar, overdriven lead lines, and strummed acoustic 12 Strings lock in together to generate what feels like an endless chug. The result is one of Haims fastest