"Happy Days" by George Overbury Pop Hart, Amer., (1868-1933) Aquatint & numbered in pencil

& numbered in pencil

relates strongly to Barrer's other mature paintings

Thomas Anschutz and Cecilia Beaux at the Pennsylvania Academy

Lucioni loved minute detail and indulged his supreme gifts for rendering the infinite textures found in the landscapes of his beloved Vermont

While it's uncertain if this pertains to the edition size

"Happy Days" by George Overbury Pop Hart, Amer., (1868-1933) Aquatint & numbered in pencilEtching, Drypoint & Roulette, 1925, C. 23, ed. of 50, 10 7 16 x 8 7 8, signed & titled and numbered 20 in pencil, on chine colle affixed to a thick buff wove support sheet, slight rubbing at top margin edge, substantial mat line from previous mat, the image richly inked, one small very light scuff in image upper left, invisible except in raking light. This is an honest and candid self portrait of the artist, showing his lack of pretension and